Based on motifs from ’20 000 Leagues Under the Sea’ by Jules Verne, with music by Erik Satie and Daniel Ott
Composition – Daniel Ott Production and masks – Familie Flöz, Hajo Schüler Stage – Simeon Meier Costumes – Mascha Schubert
Maskplayers – Anna Kistel, Fabian Baumgarten, Mats Süthoff, Saxophone – Alejandro Oliván López, Luis Homedes Lopez, Miguel Fernández, Philippe Körper, Marcus Weiss, Remo Schnyder drums – Mikołaj Rytowski, Santiago Villar, Alexandre Ferreira Silva Electric Guitar – Maurizio Grandinetti, Chris Moy Sder Schaft, Julian Schmidlin
molto semplicemente frammenti per pieve caina u.a.
Tour of Brasil and Bolivia with Hans Koch, saxophone and Christophe Dufaux, accordion
Rio de Janeiro, Santa Cruz de la Sierra, Sucre, La Paz
24 & 26 & 28 June
Abréviations
Music theatre for two performers
Bettina Marugg Eva Nievergelt
Alte Feuerwache Köln
As part of the KGNM – Cologne Society of New Music
Bonn Art Centre
As part of the “theaterimballsaal” “Spiele ohne Grenzen” (games without borders) Festival
18 & 20 August
INBOUND ISO 1496
Machine music for 50 freight containers, washing machine orchestra and others
Rümlingen Festival
17 September – 08 October
Klangkunstbühne
International master class with: Anna Viebrock, Joan La Barbara, Calixto Bieito, Douglas Irving Repetto, Jannis Kounellis, Ruedi Häusermann
17 December
19:00 - 22:00 h
KLANGSPUR 17/12
Mobile music für 200 instrumentalists, paternoster
For Landscapes in Görlitz/ Zgorzelic along the river Neisse
Anna Clementi, voice Wu Wei, sheng Olga Mishula, dulcimer Co Streiff, saxophone Hans Koch, saxophone Peter Schärli, trumpet Werner Hasler, trumpet Michele Lomuto, trombone Bettina Buchmann, accordion Christophe Dufaux, accordion Konstantinos Raptis, accordion John Eckhardt, double bass Jan Schlegel, electric bass Sylvia Zytynska, percussion Stephan Froleyks, percussion Tomas Ondrusek, percussion Zgorzelec Mandolin Orchestra Görlitz Marching Band Fröhlich Music School Accordion Orchestra Landskron-Herolde Youth Symphony Orchestra & Youth Wind Orchestra & Big-Band of the Adam Hiller Music School Markersdorf brass group Bigband El. Turow
Thomas Kiemle, direction Dorothée von Rosenberg Lipinsky, costume Tobias Müller-Kopp, musical preparation
Dieter Schnebel: “körpersprache” Daniel Ott: “klangsprache”
Museum for Communication, Berlin As part of the “lange Nacht der Museen” (day of long museum opening times)
Performers: Students of the Berlin University of the Arts
5 – 8 February
Workshop New Music Theatre
As part of the “Making new Waves” Festival
Franz Liszt Music Academy, Budapest
7 February
For Bunita Marcus Morton Feldman
Concert as part of the “Making new Waves” Festival
Trafó, House of Contemporary Art, Budapest
Daniel Ott, piano
2 April
17:30 h
26/5 – 2/4
Concert installation for 4 harps, 6 percussionists, 2 accordions, 2 double basses, trumpet, saxophone, Electric guitar and electric bass (world premiere of the new version)
Aircraft hall, Lucerne transport museum (Switzerland)
As part of the “musik & raum” congress
8 & 9 May
18:00 h
AMBARABA
Sound event for children’s choir 4 accordions and 2 percussionists (World Premiere) Alte Seifenfabrik, Biel/Bienne (Switzerland)
Children’s choir of the Biel Music School Conductor: Jean-Luc Gassmann
23 & 24 July
23|7.innen 24|7.hof
Open-air concert installation (World Premiere)
Freiburg im Breisgau in the courtyard of the old University Fest der Innenhöfe
ensemble zampugn Co Streiff, saxophone Wu Wei, sheng Olga Mischula, dulcimer Bettina Buchmann, accordion Christophe Dufaux, accordion Jan Schlegel, electric bass John Eckhardt, double bass Christian Dierstein, percussion Christian Gerber, accordion Hans Koch, bass-clarinet Rajesh Mehta, trumpet
Anna Clementi, voice Francoise Rivalland, cymbalom Chico Mello, guitar/clarinet Michele Lomuto, trombone Thomas Meixner, percussion Christophe Dufaux, accordion Andreas Edelblut, actor Stephan Lohse, actor
Chamber music, music theatre and more by Chaya Czernowin,
Silvia Ocougne, Ruedi Häusermann,
Jürg Kienberger, Jean-Luc Hervé,
Hans Wüthrich, Mischa Käser,
Erwin Stache, Walter Zimmermann, Rajesh Mehta and others.
International master class with: Lauren Newton, R. Murray Schafer,
Jürg Kienberger, Francoise Rivalland, Georges
Aperghis, Hugo Gretler, Philippe Gaulier,
Jurij A. Vasiljev
In the “Hamburger Bahnhof” – Museum of the Present, Berlin
as part of the Walter-Benjamin-Festival
Co Streiff, alto saxophone
Wu Wei Sheng, Chinese mouth organ
Jan Schlegel, electric bass
Christophe Dufaux, accordion
Peter Schärli, trumpet
Hans Koch, bass clarinet
Seth Josel, electric guitar
Christian Gerber, accordion
Anna Stark, violoncello
Sara Hubrich, viola
Mokkapan Phongphit, violin
Josa Gerhard, violin
Marco von Orelli, trumpet
Tomás Ondrusek, percussion
Dominik Dolega, percussion
13 May
18:00 - 23 h
hohles schleifen, helles aufschmettern
“Sound particle” for 1 mobile percussionist (World Premiere)
Academy of the Arts Berlin
As part of the Döblin Night
»oppositionell, wie ich einmal bin …«
Robyn Schulkowsky, percussionist
25 June
20:00 h
25/6
Music for 2 string instruments and window
“Artport” Gallery, Berlin
Josa Gerhard, violin
Benedikt Bindewald, viola
30 June
15:00 h
ojota l
“ojota l” (1997) for 1 percussionist and 5 pairs of shoes made of leather, wood & iron
Randspiele Zepernick
29 July
4:30 h
landschaft.29/7
Open-air sound-event to accompany the sunrise (World Premiere)
Hitzacker Summer Music
Enrico Stolzenburg, direction
Peter Schärli, trumpet
Hans Koch, saxophone
Adam Weisman, percussion
as well as brass players and marching bands from around the region
Enrico Stolzenburg, direction
Wolfram Kleiner, electronics
Ralf-Werner Kopp, trumpet
Brass group of the Folkwang University of Essen
Firebrigade Band
Neptun Canoo Club and others
Stefan Schreiber, musical direction
Daniel Ott, Xavier Zuber, direction
Gregor Scholz, set
Thomas Unthan, costume and set assistance
Bodo Gottschalk, lighting
Barbara Tacchini, Xavier Zuber, dramaturgs
Cast:
Michaela Schneider, Tereza Chynavova, Leandra Overmann/ Trine Oien, Tom Lane, Karl-Friedrich Dürr, Boris Burgstaller (Schauspiel Stuttgart)
Music theatre about STEPS | SHOES | PATHWAYS (first performance of a new version)
Vidmarhallen Großer Saal der NTG, Bern
Daniel Ott, direction
Ursula Maria Berzborn, set and costume
Ulrich Kerkmann, lighting
Caroline Scholz, vocal training
Performers:
Elena Kakaliagou, Anja Füsti, Megumi Tabuchi,
Eva Burghardt, Lisa Seidel-Kukuk, Virginia Arancio,
Elisabeth de Merode, Julien Paillard, Pascal Viglino,
Tom Lane, Lefteris Veniadis, Andreas Edelblut,
Stephan Lohse
International master class with: Candice Breitz, César Brie,
Philippe Gaulier, Christina Kubisch, Michael Lentz,
Josef Anton Riedl and Jurij A. Vasiljev
Collective composition by Lukas Berchtold, Helmut Lemke, Urban Mäder, Daniel Ott, Kirsten Reese, Enrico Stolzenburg (World Premiere)
Festival Rümlingen
For landscape, actor and singer/speaker, loudspeaker and loudspeaker controllers, light-sources and light-controller, wind games and wind player, bull-roarer and “Geisslechlöpfer” (Swiss whip-instrument), “Treichler” and bicycles, alp-horns and accordions, bass clarinet and baritone saxophone, trumpets and trombones.
QUERSTRÖMUNG
sound performance for a landscape of the Ruhr with waterfall, 5 percussionists,
2 electric guitars and audio tape (World Premiere)
Daniel Ott, composition and musical directory
Enrico Stolzenburg, direction
Wolfram Kleiner, sound and electronics
Christian Dierstein, Brian Archinal, Miguel Martin, Victor Suarez, Yuriko Sekiguchi, percussionists
Silvia Ocougne, Seth Josel, electric guitars
QUERFORMAT
spacial composition for an oil painting of the landscape of the Ruhr, bass clarinet,
baritone saxophone and audio tape (World Premiere)
Daniel Ott, composition and musical directory
Enrico Stolzenburg, direction
Wolfram Kleiner, sound and electronics
Marcus Weiss, baritone saxophone
Ernesto Molinai, bass clarinet
Wittener Tage für neue Kammermusik (Witten New Chamber Music Festival)
for fontaines, percussion and loudspeaker (UA)
Dörte Siefert, Mai Phuong Tran, Christoph Baathe, Marco Lambertz, percussion
Matthias Meyer, Marcus Thomas, sounddesign
Julia Hundt, Leila Semaan, Franziska Riedmiller, sound-assistenz
Wolfgang Mayer, transports
Founded by Pro Helvetia.
in cooperation with the institute for musik and musicology of the university Hildesheim
Ensemble Ton&Tal:
Shirley Anne Hofmann (Euphonium, Trompete, Akkordeon), Co Streiff (Altsaxophon), Hans Koch (Sopransaxophon, Bassklarinette), Peter Schärli (Trompete), Balthasar Streiff (Trompete, Alphorn, Büchel), Samuel Stoll (Horn, Alphorn, Büchel), Stephen Menotti (Posaune), Hans Hassler (Akkordeon, Klarinette), Christophe Dufaux (Akkordeon), Marcel Oetiker (Schwyzerörgeli), Christoph Brunner (Schlagzeug), Christian Dierstein (Schlagzeug), Benjamin Brodbeck (Schlagzeug)
Komponist/innen:
Annette Schmucki, Urban Mäder & Daniel Ott (ganze Tour) – Mario Pagliarani (Chiasso), Michael Riessler (Altdorf) & Jonas Kocher (Wasen i.E.) – sowie Ruedi Häusermann, Heinz Holliger, Andreas Schett, François Sarhan, Wael Sami Elkholy, Benjamin Brodbeck & Siegfried Friedrich (Musik für eine Jahrmarktorgel)
Workshops with Alvin Curran, Gob Squad, Gintersdorf/Klaßen, Clemens Sienknecht und Ursula Biemann. Lectures with Josephine Ann Endicott, Rabih Mroué and about Vivienne Newport. University of Arts Berlin
with singers from different regional choirs, the Treichler of the Greiflervereinigung Ingenbohl-Brunnen and students of the Hochschule für Musik Basel (percussion-class of Christian Dierstein)
Until 1867, the fortress of Luxembourg was the “Gibraltar of the North”. Daniel Ott, Enrico Stolzenburg and hundreds of young UGDA musicians are transforming the Bockfelsen into a sounding panorama in the festival rainy days, a symbol of this powerful Europe, whose coast is currently struggling for hundreds of thousands, seeking refuge or dying on its way there. The audience is in the court of the Neumünster Abbey, wind orchestral ensemble surrounds the Bockfelsen, the Petrusse becomes a sea, a tumultuous sound contrasts with small movements and sound actions from the casemates, from the top, from the gardens, from the river. Numerous drummers bring the local materials to the sound, loudspeakers open up an association area of demonstrations in Germany, Greece, Ceuta and Melilla over police suits, muezzin calls and water noises up to Article 14 of the Universal Declaration of Human Rights in Morse Code: “Everyone has the right to To seek asylum in other countries before persecution. ” What is Europe today? An “island of the blessed” or a rescue boat?
Concept and composing: Daniel Ott
Direction, concept, electronics: Enrico Stolzenburg
Texts: Der Ewige Landfriede, Glurnser Lied, Konrad Celtis
Conduction and musical rehearsing : Daniel Waldegger, Duri Janett, Maria Pardeller, Cla Duri Janett-Vital, Pasquale Bonfitto, Katharina Mayer, Jon Flurin Kienz, Remo Schnyder
With: Ils Fränzlis da Tschlin, Musikkapelle Nauders, Società da Musica Tschlin, Cor masdà Tschlin, Società da Musica Ramosch, Cor masdà Valsot, Chor Nauders / Reschen, Freiwillige Feuerwehr Nauders, Oberländer Landsturm Silz, Bergrettung Nauders, Jungkrampusse Nauders, Jägerschaft Nauders
B free (UA) A music-theatre-production by Theater Marabu and fringe ensemble Composition and musical direction:: Daniel Ott Artistic direction: Frank Heuel, Tina Jücker, Claus Overkamp Direction wind ensemble: Paul Hübner Equipement: Annika Ley Performance, music: Paul Hübner (trumbone), Arturo Portugal (drums), David Fischer, Justine Hauer, Julia Hoffstaedter, Bettina Marugg, Andreas Meidinger Further contributers: Melina Delpho, Beate Fuhrmann, Paule Hellmann, Ralph Hutter, Stina Jahn, Carlotta Josephs, Birgit Klein, Joshua Koch, Ulla Kuipers, Carlotta Laumann, Morgane Liebe, Andreas Limbach, Jey Lo-Ciudice, Nele Marggraf, Arnulf Marquardt-Kuron, Anette Mock, Paulina Mock, Brigitte Nellinger, Sonja Nellinger, Alex Preis, Sophia Reifenrath, Milena Rheindorf, Friedhelm Roth-Lange, Susanne Wagners, Anne Wichtmann, Patricia Wolf as well as Jagdhornbläser der Jägerschaft Bonn e.V. under the direction of Hans Peter Passmann A production under BTHVN20 Kottenforst, Bonnt
Schwesterpark Fragmente (UA) schwesternparkmusik Permeable intervention for trumpet, steel drums, voices ad libitum Wittener Tage für Neue Kammermusik Pferdebachstraße, Schwesternpark, Witten
B free A music-theatre-production by Theater Marabu and fringe ensemble Composition and musical direction: Daniel Ott Artistic direction: Frank Heuel, Tina Jücker, Claus Overkamp Direction wind ensemble: Paul Hübner Equipement: Annika Ley Performance, music: Paul Hübner (trumbone), Arturo Portugal (drums), David Fischer, Justine Hauer, Julia Hoffstaedter, Bettina Marugg, Andreas Meidinger Further contributers: Melina Delpho, Beate Fuhrmann, Paule Hellmann, Ralph Hutter, Stina Jahn, Carlotta Josephs, Birgit Klein, Joshua Koch, Ulla Kuipers, Carlotta Laumann, Morgane Liebe, Andreas Limbach, Jey Lo-Ciudice, Nele Marggraf, Arnulf Marquardt-Kuron, Anette Mock, Paulina Mock, Brigitte Nellinger, Sonja Nellinger, Alex Preis, Sophia Reifenrath, Milena Rheindorf, Friedhelm Roth-Lange, Susanne Wagners, Anne Wichtmann, Patricia Wolf as well as Jagdhornbläser der Jägerschaft Bonn e.V. under the direction of Hans Peter Passmann A production under BTHVN20 Kottenforst, Bonn
Elias Menzi, dulcimer; Töbi Tobler, dulcimer; Goran Kovacevic, accordion; Paul Hübner, trumpet; André Meier, trumpet; Till Künkler, trombone Wind and percussion players of the Brass Band & Jugendmusik Rehetobel Rehearsal: Marianne Zähner, Cathrin Züst, Benjamin Markl
Admission to the Robert Walser Walk: 10.00 to 13.00 in Wald/Appenzell Ausserrhoden (AR) // The walk leads via Rehetobel to Heiden, SEESTÜCK takes place between Kaienspitz and Heiden. A production as part of theRümlingen Festival from 16 – 19 September
DONAU / RAUSCHEN Transit & Echo (UA) Landscape composition by Daniel Ott, concept, composition and Enrico Stolzenburg, concept, feeds.
Rehearsal Christian Dierstein, Philipp Eschbach, Christian Feierabend, Paul Hübner, Jessica Metzler, Daniel Ott, Guiseppe Porgo, Florian Reis, Remo Schnyder, Alexander Wassylenko
Accordion Marie Bridonneau, Hugo Degerro, David Maksimović, Inga Piwowarska, Dannong Wu, Tizia Zimmermann; Electric guitar Thilo Ruck, Christian Wernicke; Percussion Ying Chen Chuang, Christian Dierstein, Alexandre Ferreira Silva, Joe Kenney, Noah Rosen, Mikołaj Rytowski, Petro Tavares, Santiago Villar; Trombone Stephen Menotti, Peter Stelzl, Gerhard Wolf; Saxophone Salvatore Castellano, Miguel Rodrigo Fernandes de la Fuente, Krisztian Notheisz, Pattranant Pliensakul, Eguzki Irusta Salles, Remo Schnyder, Kristof Toth, Marcus Weiss; Trumpet Domokos Horváth, Mátyás Fieszl, Paul Hübner, Lutz Mandler, László Reményi, Dávid Szalkay, Anita Tóth Musikverein Aufen e.V. Conductor Florian Reis, Musikverein Grüningen e.V. Conductor Guiseppe Porgo, Musikkapelle Neudingen e.V. Conductor Jessica Metzler, Feuerwehrkapelle Pfohren e.V. Conductor Alexander Wassylenko, Posaunenchor Ev. Kirche Conductor Philipp Eschbach, Stadtkapelle Donaueschingen 1827 e.V. Conductor Christian Feierabend Donaueschingener Musiktage Rathausplatz & Donauquelle, Donaueschingen
Based on the sound and rhythm of the falling drops of Bogomir Ecker’s stalactite machine in the Hamburger Kunsthalle, Daniel Ott develops musical interventions into an imaginary musical “stalactite machine” in which the passage of time is made tangible.
Jonathan Shapiro (drums)
Commissioned by the Hamburger Kunsthalle and supported by Pro Helvetia
Based on the sound and rhythm of the falling drops of Bogomir Ecker’s stalactite machine in the Hamburger Kunsthalle, Daniel Ott develops musical interventions into an imaginary musical “stalactite machine” in which the passage of time is made tangible.
John Eckhard (double bass)
Commissioned by the Hamburger Kunsthalle and supported by Pro Helvetia
Based on the sound and rhythm of the falling drops of Bogomir Ecker’s stalactite machine in the Hamburger Kunsthalle, Daniel Ott develops musical interventions into an imaginary musical “stalactite machine” in which the passage of time is made tangible.
Jana de Troyer (saxophon)
Commissioned by the Hamburger Kunsthalle and supported by Pro Helvetia
Based on the sound and rhythm of the falling drops of Bogomir Ecker’s stalactite machine in the Hamburger Kunsthalle, Daniel Ott develops musical interventions into an imaginary musical “stalactite machine” in which the passage of time is made tangible.
Thilo Ruck (e-guitar)
Commissioned by the Hamburger Kunsthalle and supported by Pro Helvetia
Based on the sound and rhythm of the falling drops of Bogomir Ecker’s Dripstone Machine in the Hamburger Kunsthalle, Daniel Ott develops various sound actions. For the duration of the exhibition, short interventions by various instruments (drums, double bass, saxophone, electric guitar) will be heard on various Sundays at 10:30 a.m., which on the last day of the exhibition will condense into an imaginary musical “stalactite machine” in which the passing of time over a longer period of time can be experienced.
Jana de Troyer (saxophon) / Jonathan Shapiro (drums) / Thilo Ruck (e-guitar) / Moritz Baerens (double bass)
Commissioned by the Hamburger Kunsthalle and supported by Pro Helvetia